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Eric Clapton and Kurt Cobain Guitars Could Fetch Up to $2 Million Each at Auction 

View of Kurt Cobain’s SkyStang I guitar during the media preview for Julien's "Played, Worn & Torn: Rock 'n' Roll Iconic Guitars and Memorabilia" in Gardena, California, on October 10, 2023. (AFP)
View of Kurt Cobain’s SkyStang I guitar during the media preview for Julien's "Played, Worn & Torn: Rock 'n' Roll Iconic Guitars and Memorabilia" in Gardena, California, on October 10, 2023. (AFP)
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Eric Clapton and Kurt Cobain Guitars Could Fetch Up to $2 Million Each at Auction 

View of Kurt Cobain’s SkyStang I guitar during the media preview for Julien's "Played, Worn & Torn: Rock 'n' Roll Iconic Guitars and Memorabilia" in Gardena, California, on October 10, 2023. (AFP)
View of Kurt Cobain’s SkyStang I guitar during the media preview for Julien's "Played, Worn & Torn: Rock 'n' Roll Iconic Guitars and Memorabilia" in Gardena, California, on October 10, 2023. (AFP)

Two iconic guitars played by Eric Clapton and Nirvana's Kurt Cobain could each fetch $1 million to $2 million when they go up for auction in November.

Clapton's "The Fool", a psychedelic painted guitar, was known for its unique sound. The Beatles' George Harrison gave it to Clapton after his guitar was stolen.

"It was the guitar he used to create the very famous woman tone that guitar players today try and recreate 50 years since," said Martin Nolan, founder of Julien's Auctions.

With hits such as "Bell Bottom Blues," "Cocaine" and "Layla," Clapton has won 18 Grammy Awards and was inducted into the Rock and Roll Hall of Fame in 2000.

The other guitar, also estimated between $1 million and $2 million, is Kurt Cobain's guitar, the "SkyStang I", which Cobain played during his final public performance on Nirvana's "In Utero" concert tour.

Described as his "workhorse" because of the amount he used it during the tour, the guitar still has the same strings and even features black tape covering over the Fender brand name, as "Kurt hated corporate sponsorship and corporate branding," according to Nolan.

The world record for a guitar was set in June 2020 when Cobain's 1959 Martin D-18E guitar that he played for his 1993 appearance on "MTV Unplugged" sold for over $6 million.

Cobain popularized grunge rock in the early 1990s. Nirvana broke through to mainstream pop success with the smash hit "Smells Like Teen Spirit," the first single from the band's second album, "Nevermind," released in 1991.

The auction also features items belonging to Cobain, including his cardigan, jeans, and a pack of cigarettes, all of which he left behind at rehab.

The lead singer of Nirvana was found dead, aged 27, of a self-inflicted gunshot wound in his Seattle home in April 1994.

A portion of the guitar proceeds will go to Kicking the Stigma, a mental health initiative.

There are over 1,000 items going up for auction at Nashville's Hard Rock Cafe between Nov. 16-18 at the "Played, Worn & Torn: Rock 'n' Roll Iconic Guitars and Memorabilia" event.

Also for sale are Amy Winehouse's bustier from her performance at the Brit Awards, jewelry belonging to Prince and Elvis Presley, and items from the estate of Frank Zappa, including the first guitar he ever bought.

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Composer of Piaf's 'Non, Je Ne Regrette Rien' Dies Aged 95

Charles Dumont wrote a classic song for Edith Piaf. CHRISTOPHE ARCHAMBAULT / AFP/File
Charles Dumont wrote a classic song for Edith Piaf. CHRISTOPHE ARCHAMBAULT / AFP/File
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Composer of Piaf's 'Non, Je Ne Regrette Rien' Dies Aged 95

Charles Dumont wrote a classic song for Edith Piaf. CHRISTOPHE ARCHAMBAULT / AFP/File
Charles Dumont wrote a classic song for Edith Piaf. CHRISTOPHE ARCHAMBAULT / AFP/File

Songwriter and singer Charles Dumont, who composed the song "Non, je ne regrette rien" ("No, I do not regret anything") made world famous by Edith Piaf, has died aged 95, his partner told AFP Monday.
Dumont, who had also collaborated with American singer Barbra Streisand and French-Italian 1960s star Dalida, died at home after a long illness.
French Culture Minister Rachida Dati called Dumont "a towering figure of French chanson".
A trumpeter by training, Dumont saw his career transformed at the turn of the 1960s when he convinced the star singer Piaf to perform one of his compositions, after having been forcefully refused several times.
"We turned up at her home, and she let us in," Dumont told AFP in 2018 about the day in 1960 when he managed to see Piaf together with his lyricist, Michel Vaucaire.
"I played the piece on the piano, and ... we became inseparable," he said, adding that the song -- which he had written in 1956 aged 27 -- revived Piaf's career that he said had been flagging.
"Non, je ne regrette rien" has since become an unforgettable classic of Piaf, who died in 1963.
"My mother gave birth to me, but Edith Piaf brought me into the world," Dumont told AFP in a 2015 interview.
"Without her, I would never have done everything I did, neither as a composer nor as a singer," he added.
For Dumont, this meeting marked the beginning of a fruitful working relationship with Piaf, resulting in his writing more than 30 songs for her.
'Goodbye young man'
On occasion she straightened him out, like one night after a concert when he complained to her that the audience had not been good.
"She looked me straight in the eye and said: 'It's not them who are bad. It's you who was no good'," he remembered.
The collaboration with Piaf gave Dumont the confidence to approach Streisand, who was already a star in the 1960s and well on her way to becoming one of the biggest-selling recording artists ever.
A music publisher suggested he should offer her his services, advice he later described as "destiny" giving him "a kick in the behind".
He went to New York, and played for her on a piano in her dressing room in a Broadway theater. "She said to me 'I like this very much. I'll make the record. Goodbye young man'," he said.
Streisand released a single with Dumont's "Le Mur" sung in French on the A side, and its English version "I've Been Here" on the B side, in 1966.
Dumont's last appearance on stage was in 2019 in Paris.
"When you come back in front of an audience, who come to see you as they came 20, 30 or 40 years ago and give you the same welcome, then they give you back your 20s," he said.